Vathypetro
View of the east part of the site
with the outline of the tripartite shrine in the top left corner
of the site.
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Vathypetro lies some five kilometres south of Archanes at the foot of the
southern end of Mount Iuktas in Central Crete and was probably on the Minoan
route from Knossos to the Messara plain in the south of the island. The site
was excavated by S. Marinatos from 1949-53 and again in 1955-6. Since he intended
to locate a local museum on the site the remains were reconstructed and modified,
making it difficult for archaeologists to piece together the original structure
of the buildings on the site. The Vathypetro complex was constructed around
1580 BCE at the beginning of the Late Minoan IA period and badly damaged around
1550 BCE, perhaps by an earthquake. The south sector of the building, which
includes a wine press, was rebuilt as a farmhouse and industrial centre after
the 1550 BCE destruction and was finally destroyed around 1470 BCE.
The Vathypetro complex is not an isolated, independent structure as it forms
part of a small settlement stretching over three hills. Unfortunately vineyard
cultivation has destroyed the remains immediately surrounding the site. However,
it is likely that the complex was the most important building on the site
since this is the only place where ashlar masonry is to be found in the area.
According to Driessen and Sakellarakis, there are in fact two buildings on
the site which lie east and west of a narrow corridor. Both buildings are
orientated north-south which led Marinatos to believe that the building was
planned as a palace.
The wine press
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It is not known whether the east and west buildings were constructed at the
same time. But since the building techniques and materials were different in
the two cases this suggests that they may have been built at different times
with the east building representing a second phase, dating from Late Minoan
IB.
The original west building was a medium-sized ashlar structure similar to,
for example, Nirou Chani or Myrtos-Pirgos. It included a series of palatial
features including orientation, porticoes, a west facade, halls with light
wells, a possible lustral basin, a pillar crypt and pillar magazines as well
as a courtyard. The later wine press is not located in the area which would
have been the pillar crypt.
Driessen and Sakellarakis support the view that a tripartite shrine, identified
by Marinatos, was built on the site during the first phase of building, but
this remains a controversial point as a number of prominent archaeologists
do not agree that there is evidence for a tripartite shrine. If it is in fact
a tripartite shrine, it is the only true architectural example of such a shrine
which is only known to us from the frescoes. It has been established that
the alignment of the northern niche of the tripartite shrine exactly agreed
with the spring and autumn equinoxes. This suggests some connection between
religious ritual and agriculture.
The west part of the building
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An earthquake interrupted the original construction work. Evidence for this
includes the use of building blocks in places other than those where they were
originally meant to be used and patched up walls. In the second phase the tripartite
shrine was given a temenos wall which closed off access to the shrine from the
west. Several large thresholds were created in the western building and it is
thought that these must have been created in the second phase. Since they resemble
the thresholds in the eastern building this argues for a later date of construction
for this building.
Three areas contained olive presses and a large number of pithoi were also
discovered. There was also a potter's kiln on the site. A finely paved area
was used for storage, and the production of wine and textiles. The wine-press
can still be seen. Many clay loom weights were also found. This gives a pretty
clear indication of the basic economic activity conducted by the inhabitants
of the house. Castleden suggests that the original building may have started
off as a temple or a religious centre of some kind, only changing its nature
after the first destruction. Driessen and Sakellarakis consider the Vathypetro
complex (their term) as the main building of a large village. In its first
phase its functions included administrative, ritual, residential and storage.
In the second phase it was given over to domestic agricultural and industrial
production.
The olive press
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Sinclair Hood has suggested that it might have been the summer residence of
the King of Archanes. (Summer residences for Minoan kings have been suggested
at various sites, including Agia Triada for the King of Phaistos and Archanes
itself for the King of Knossos, though the idea seems to have gone out of fashion
recently). However, Vathypetro may well have simply been a manor with its own
domestic shrines.
The site is open all year round and entrance is free. For visitors to Archanes
it is well worth the five-kilometre drive just to see the indoor wine press
alone, and of course the spectacular views of the Iuktas mountain and the
view to the south.
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